Green Tomb Restoration, Bursa (Yeşil Türbe)
The Green Tomb (Yeşil Türbe) restoration project in Bursa involved İznik Mavi Çini in the preservation and reproduction of the structure’s original tile surfaces. Within the scope of the works carried out at the Green Complex in Bursa, tiles reflecting the early Ottoman tile-making approach were addressed. Borders, inscribed panels, and mosaic panels were produced in alignment with the historical production characteristics of the period, with a focus on maintaining architectural and material continuity.
Why is the Green Tomb architecturally significant?
The Green Tomb is distinguished by having all of its interior walls covered with tiles. This feature positions the structure as a unique example in terms of tile application within Ottoman architecture.
Which tile technique was used in this restoration?
The project was based on tiles prepared using the colored glaze technique (renkli sır tekniği). Applications were handled in a way that aligned with the existing material character of the building.
What was İznik Mavi Çini’s role in the project?
İznik Mavi Çini was responsible for the production of border tiles, inscribed panels, and mosaic panels used in the restoration. The work focused on maintaining technical and visual consistency.
Was the restoration process academically supervised?
Yes, the production process was carried out with the approval of Istanbul Technical University. This ensured that the work progressed within an academic and technical framework.
The Green Tomb is distinguished by having all of its interior walls covered with tiles. This feature positions the structure as a unique example in terms of tile application within Ottoman architecture.
Which tile technique was used in this restoration?
The project was based on tiles prepared using the colored glaze technique (renkli sır tekniği). Applications were handled in a way that aligned with the existing material character of the building.
What was İznik Mavi Çini’s role in the project?
İznik Mavi Çini was responsible for the production of border tiles, inscribed panels, and mosaic panels used in the restoration. The work focused on maintaining technical and visual consistency.
Was the restoration process academically supervised?
Yes, the production process was carried out with the approval of Istanbul Technical University. This ensured that the work progressed within an academic and technical framework.
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