Our Workshop
Iznik Mavi Cini workshop is located in Iznik, Bursa, the historical production center of Iznik ceramics. Within its 1,550 m² production area, the workshop produces handmade plates, tiles, panels, bowls, mugs, decorative objects, and custom-sized ceramic works.
The workshop operates with a team of 20 people, including 3 founding partners and 17 skilled team members. Founding partners Mahmut Çalışkan, Serap Ereyli and İsmail Kaya are registered by the Republic of Türkiye Ministry of Culture and Tourism as Bearers of Intangible Cultural Heritage.
Raw material preparation, shaping, pattern application, glazing, firing and quality control are carried out within the same production facility. This integrated structure provides continuity both for individual handmade pieces and for larger-scale architectural and restoration projects.
To date, more than 10,000 m² of Iznik ceramic production has been completed across 20 restoration projects and 143 architectural projects. This experience has shaped the workshop into a production center capable of working at different scales and responding to diverse technical requirements.

Project-Based Ceramic Production
Iznik Mavi Cini produces ceramic tiles and panels for architectural projects, cultural heritage restorations and custom orders. Each production is planned according to size, pattern, color tone, surface character and intended use.
In restoration projects, the aim is to produce ceramics that are compatible with the character of the existing tiles. For architectural projects, the workshop can plan production for large-scale panels, tile coverings and custom-sized ceramic applications.
Restoration projects such as Al-Masjid an-Nabawi, Eyüp Sultan Tomb, Bursa Green Tomb, Rüstem Pasha Mosque, Sultan Ahmed Mosque and Yeni Cami, as well as architectural works such as Kayseri City Square, Istanbul Çamlıca Mosque and Ataşehir Mimar Sinan Mosque, are among the projects produced by the workshop.
For detailed project examples, you can visit our Restoration Projects and Architectural Projects pages.
Traditional Technique and Production Discipline
The workshop produces according to the traditional Iznik ceramic technique. A quartz-based fritware body, bright white slip, underglaze hand painting, viscous white glaze and firing at 900–950°C are the essential elements of this production method.
Each piece is checked in terms of form, surface, pattern, color and glaze result. Raw material, glaze and color controls are supported by R&D work. For more technical information, you can visit our What Is Iznik Ceramic? and R&D Laboratory pages.

Solar-Powered Workshop
The energy needs of the Iznik Mavi Cini workshop are met through solar energy. Since firing is one of the most energy-intensive stages of ceramic production, this investment allows us to maintain traditional craftsmanship within a more sustainable production infrastructure.
Solar energy is an important part of our production approach. While continuing the tradition of handmade Iznik ceramics, using energy resources more responsibly and building a more environmentally conscious production model are among our core values.

Gallery and Visitor Area
Our workshop includes a gallery and sales area open to visitors. Guests can view finished pieces, explore different forms and pattern examples, visit the production area and learn about the Iznik ceramic production process.
The gallery area includes both collection pieces and examples of custom production. To explore our products online, you can visit our Collections page.

Frequently Asked Questions
Can visitors see the workshop and the production process?
Yes. Visitors can explore the gallery area, see the production space and learn about the traditional Iznik ceramic production process.
Do you produce custom-sized Iznik tiles and ceramics?
Yes. Custom production is available for architectural projects, restoration works and special orders, with planning based on size, pattern, color tone and intended use.
Which technique is used in the workshop?
The workshop uses the traditional Iznik ceramic technique, based on a quartz-based fritware body, bright white slip, underglaze hand painting, glazing and firing.
