Eyüp Sultan Tomb Restoration, Istanbul

Eyüp Sultan Tomb Restoration, Istanbul

The Eyup Sultan Mausoleum Istanbul restoration involved İznik Mavi Çini in the reproduction of missing tiles on the mausoleum’s wall panels. Conducted in collaboration with Anikya, the project was carried out with reference to the existing tile layout and historical surface conditions. All reproduced Iznik tiles (traditional ceramic tiles produced in the Iznik tradition) were developed to align with the original architectural surfaces of the mausoleum.

The Eyup Sultan Mausoleum is recognized as one of Istanbul’s most significant religious and historical structures. Over time, successive interventions enriched the tile decoration of the mausoleum; however, losses and surface deterioration were observed in certain wall panels. These conditions necessitated a restoration process aimed at preserving the continuity of the original tile composition.

The restoration project, initiated in 2013 and carried out in partnership with Anikya, involved the reproduction of missing Iznik tiles by İznik Mavi Çini. A total of 2,200 tiles were produced in accordance with the original applications, with the production year marked on the reverse of each tile.

The restoration progressed in phases over a three-year period. During this time, İznik Mavi Çini’s R&D unit (research and development unit) developed multiple red clay color variations. Selected tones were applied to the restoration tiles to achieve close visual alignment with the historical surfaces. The project was completed successfully by the end of 2015.

“Tile restoration in such structures requires the most precise consideration of color and surface harmony.”

— “İznik Mavi Çini, Senior Restoration Workshop Manager”

Why was restoration required at the Eyup Sultan Mausoleum?
Over time, missing and detached tiles were identified on the mausoleum’s wall surfaces. The restoration aimed to address these losses and preserve the original tile continuity.

What was İznik Mavi Çini’s role in this project?
İznik Mavi Çini was responsible for producing the missing tiles used on the wall panels. All production followed principles of material and visual consistency.

Were color studies conducted during the restoration process?
Yes, different red clay color tones were developed within İznik Mavi Çini’s R&D unit. Selected tones were used on the restoration tiles to match the historical surfaces.

How long did the restoration take?
The restoration was carried out in phases over a three-year period. The project was completed at the end of 2015.

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