Blue Mosque Restoration, Istanbul (Sultanahmet Camii)
As part of the Sultan Ahmet Mosque Istanbul restoration, Iznik Mavi Cini was responsible for reproducing the tiles used on the mosque’s minarets. In this work carried out in 2019, the architectural integrity of the structure and its original tile language were taken as the primary reference. Oval rectangular tiles in turquoise tones were produced and handled in direct visual and formal harmony with the existing structure, ensuring continuity with the mosque’s established decorative character.
Why is the Sultan Ahmet Mosque known as the “Blue Mosque”?
The mosque is referred to by this name because of the extensive use of Iznik tiles and blue-toned painted decorations in its interior. These visual elements contribute to its international recognition.
What was Iznik Mavi Cini’s role in this restoration project?
Iznik Mavi Cini was responsible for producing the tiles used on the mosque’s minarets. The work was carried out with careful consideration of compatibility with the existing structure.
What type of tiles were used in the restoration?
The project involved oval rectangular tiles in a turquoise color. These tiles were produced in accordance with the original production approach.
How did the project aim to preserve the mosque’s original character?
All applications were conducted by prioritizing harmony with the mosque’s existing architectural and decorative integrity. The goal was to ensure continuity with its established historical identity.
The mosque is referred to by this name because of the extensive use of Iznik tiles and blue-toned painted decorations in its interior. These visual elements contribute to its international recognition.
What was Iznik Mavi Cini’s role in this restoration project?
Iznik Mavi Cini was responsible for producing the tiles used on the mosque’s minarets. The work was carried out with careful consideration of compatibility with the existing structure.
What type of tiles were used in the restoration?
The project involved oval rectangular tiles in a turquoise color. These tiles were produced in accordance with the original production approach.
How did the project aim to preserve the mosque’s original character?
All applications were conducted by prioritizing harmony with the mosque’s existing architectural and decorative integrity. The goal was to ensure continuity with its established historical identity.
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