Green Tomb Restoration, Bursa (Yeşil Türbe)

Green Tomb Restoration, Bursa (Yeşil Türbe)

The Green Tomb (Yeşil Türbe) restoration project in Bursa involved Iznik Mavi Cini in the preservation and reproduction of the structure’s original tile surfaces. Within the scope of the works carried out at the Green Complex in Bursa, tiles reflecting the early Ottoman tile-making approach were addressed. Borders, inscribed panels, and mosaic panels were produced in alignment with the historical production characteristics of the period, with a focus on maintaining architectural and material continuity.

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The Green Tomb (Yeşil Türbe), located within the Green Complex in Bursa, occupies a distinct position in Ottoman architecture due to the extensive use of tiles covering all interior wall surfaces. This characteristic required a restoration approach that addressed both technical accuracy and material continuity.

Within the scope of the restoration project, Iznik Mavi Cini took part in the production of tiles prepared using the colored glaze technique (renkli sır tekniği), which is identified in the source text as the production method of the period. Early Ottoman ceramics with red clay bodies were produced in the form of borders, inscribed panels, and mosaic panels. All production processes were carried out in a workshop environment with the approval of Istanbul Technical University, as stated in the primary source.

The restoration approach focused on preserving the existing architectural integrity of the structure and ensuring the continuity of its original tile language. Applications were handled with attention to dimensional, pattern-based, and technical consistency, and the overall process was conducted in alignment with the historical identity of the monument.

“Restoration is not the reinterpretation of what exists, but its continuation through accurate techniques.”

— “Iznik Mavi Cini, Senior Restoration Workshop Manager”

Why is the Green Tomb architecturally significant?
The Green Tomb is distinguished by having all of its interior walls covered with tiles. This feature positions the structure as a unique example in terms of tile application within Ottoman architecture.

Which tile technique was used in this restoration?
The project was based on tiles prepared using the colored glaze technique (renkli sır tekniği). Applications were handled in a way that aligned with the existing material character of the building.

What was Iznik Mavi Cini’s role in the project?
Iznik Mavi Cini was responsible for the production of border tiles, inscribed panels, and mosaic panels used in the restoration. The work focused on maintaining technical and visual consistency.

Was the restoration process academically supervised?
Yes, the production process was carried out with the approval of Istanbul Technical University. This ensured that the work progressed within an academic and technical framework.