Museum of Turkish and Islamic Arts, Bursa Restoration

Museum of Turkish and Islamic Arts, Bursa Restoration

The restoration project of the Museum of Turkish and Islamic Arts in Bursa involved Iznik Mavi Cini in the faithful reproduction of early Ottoman ceramics embedded within the building. Conducted at the Green Madrasa of Bursa, the work focused on preserving ceramic surfaces integrated into the stone walls. Ceramics produced in various forms were evaluated in harmony with the building’s original architectural fabric.

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The Green Madrasa of Bursa was originally constructed as an educational building during the Ottoman period and later began serving as the Museum of Turkish and Islamic Arts. Beyond its architectural features, the structure is notable for early Ottoman ceramics embedded directly into its wall surfaces. These ceramics represent significant elements reflecting the decorative approach and material usage of their period.

Over time, the madrasa underwent a comprehensive restoration process and was reopened to visitors following the completion of the works. Within this scope, early Ottoman ceramics used for decorative purposes inside the building were readdressed. Iznik Mavi Cini produced a total of 900 Ottoman ceramics in square prism, triangular, and butterfly forms. Production was carried out in accordance with original examples, using red-bodied clay and single-color glaze techniques.

This restoration aimed to preserve the ceramic surfaces integrated into the architectural unity of the Green Madrasa and to ensure continuity consistent with the building’s historical identity. All applications were completed with a conservation-oriented approach.

“Ceramics embedded within walls are delicate elements that must be considered together with the architecture of the structure.”
— “Iznik Mavi Cini, Senior Restoration Workshop Manager”

Which building houses the Museum of Turkish and Islamic Arts?
The museum is located within the Green Madrasa of Bursa. The building was originally used for educational purposes during the Ottoman period.

What was Iznik Mavi Cini’s role in this restoration?
Iznik Mavi Cini was responsible for producing the Ottoman ceramics used in the restoration. All production followed principles of formal and material accuracy.

Which forms were produced during the restoration?
Ceramics were produced in square prism, triangular, and butterfly forms. These forms were evaluated in alignment with the existing wall layout.

For what purpose were the ceramics used?
The ceramics were used to renew original decorative surfaces within the building. The aim was to preserve the historical surface composition.