Mahmut Pasha Tomb Restoration, Istanbul

Mahmut Pasha Tomb Restoration, Istanbul

The Mahmut Pasha Tomb restoration project involved Iznik Mavi Cini in the faithful reproduction of the tile surfaces inside the tomb. Located in Eminönü, within the Mahmut Paşa Külliyesi, the project focused on preserving the original tile layout and architectural character of the structure. The reproduced tiles were designed in forms consistent with the existing surfaces and applied in harmony with the tomb’s original fabric.

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The Mahmut Pasha Tomb is situated in Eminönü as part of the Mahmut Paşa Külliyesi, a building ensemble commissioned by Mahmud Pasha, one of the grand viziers of Sultan Mehmed II. As an integral component of this complex, the tomb holds architectural and historical significance. Over time, losses and deterioration were observed on the interior tile surfaces, creating the need for a restoration intervention.

In the restoration project initiated in 2021, Iznik Mavi Cini undertook the production of Seljuk-period tiles to be used within the tomb. A total of 3,548 tiles were produced in twenty-five different forms. Turquoise, manganese purple, and cobalt were selected as the primary colors. The production process was carried out with reference to the existing tile layout and surface composition.

The restoration aimed to preserve the original tile character of the Mahmut Pasha Tomb and maintain its historical integrity. The newly produced tiles were evaluated in direct relation to the tomb’s architectural structure, and the process was completed with a conservation-oriented approach.

“Tile work in tomb restorations carries both the symbolic and architectural identity of the space.”

— “Iznik Mavi Cini, Senior Restoration Workshop Manager”

Which architectural ensemble is the Mahmut Pasha Tomb part of?
The tomb is part of the Mahmut Paşa Külliyesi located in Eminönü. The külliye was constructed as a multifunctional architectural ensemble.

What was Iznik Mavi Cini’s role in this restoration project?
Iznik Mavi Cini was responsible for producing the tiles used in the tomb restoration. All production followed principles of material and formal compatibility.

How many tiles and forms were produced for the restoration?
A total of 3,548 tiles were produced in twenty-five different forms. These forms were designed to align with the existing surface layout of the tomb.

Which colors were used in the restoration tiles?
Turquoise, manganese purple, and cobalt were used. The color selection was made in accordance with the original tile character of the structure.