Double Minaret Madrasa Restoration, Erzurum (Çifte Minareli Medrese)

Double Minaret Madrasa Restoration, Erzurum (Çifte Minareli Medrese)

As part of the Double Minaret Madrasa Erzurum restoration project, Iznik Mavi Cini undertook the reproduction of the building’s tile surfaces in accordance with their original form. The works carried out on this structure in Erzurum focused on preserving the Seljuk-period tile tradition. Tiles produced in various geometric forms were handled in harmony with the madrasa’s existing architectural layout.

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Located in Erzurum, the Double Minaret Madrasa was commissioned by Hüdavent Hatun and is also known as the Hatuniye Madrasa. During the tile restoration initiated in 2012, Iznik Mavi Cini produced a total of 22,500 tiles using Seljuk-period techniques based on cut stone and monochrome glaze methods. Two principal colors—turquoise and manganese purple—were selected. Tiles were prepared in multiple geometric forms, including star, square, hexagonal, and pentagonal units, and were applied to the building’s surfaces using mosaic composition methods in line with original examples.

The restoration approach prioritized the preservation of the madrasa’s original surface composition and material character. Produced tiles were evaluated in direct relation to the existing architectural structure, and the restoration process was carried out within a framework respectful of the building’s historical and artistic context.

“Within Seljuk structures, tilework is not merely surface cladding but an element that defines architectural expression.”

“Iznik Mavi Cini, Senior Restoration Workshop Manager”

Why is the Double Minaret Madrasa significant?
The building is recognized as a prominent example of Anatolian Seljuk architecture. Its architectural scale and decorative language position it among notable artistic works in Anatolia.

What was Iznik Mavi Cini’s role in this restoration?
Iznik Mavi Cini was responsible for producing the tiles used in the restoration process. All production was carried out with strict adherence to original techniques.

Which colors were used in the restoration tiles?
Two primary colors were selected: turquoise and manganese purple. These colors were evaluated in alignment with the building’s original tile character.

In which forms were the tiles produced?
Tiles were produced in star, square, hexagonal, and pentagonal geometric forms. These units were applied to the surfaces using mosaic arrangements.